![]() Lamorne Morris just about steals the movie as the brilliant but goofy coder Wilfred Wigans. Eiza González, as the also-enhanced KT, is compelling enough that the movie feels like it should have gravitated from Garrison to her. (“It was all a simulation” has officially replaced “It was all a dream” in the movies.) And there is somewhere in here a salient metaphor for the plight of soldiers returning home from war with prosthetic limbs and forced to make for themselves strange new lives.Īlong the way, a few actors give it a pulse. Pearce’s Harting turns out to be as much a film director as a mad scientist, compiling digital worlds and plot lines for his creations. It begins to reflect back on itself, questing what’s real and what isn’t. ![]() “Bloodshot” is, at least, a little more interesting than it initially appears. Diesel doesn’t bring any dramatic heft to the part but he makes a mean bullet of a man. One, in a darkened tunnel, is shot amid a crimson glow and a clouds of powdery white (from a flour truck). Wilson, a visual effects expert making his directorial debut, films the actions sequences in a vague, disorienting blur, sometimes slowing things down in shots of grim brutalism. It’s a high-tech “Frankenstein” that cobbles together the sci-fi concepts of various previous movies before it. There’s a dull thud to “Bloodshot,” a bruising action movie that can’t equal its brawn with brains.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |